Apple Logic Express 7 Informacje Techniczne Strona 118
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118 Chapter 19 EXSP24
To explain, many CD-ROMs created for AKAI samplers may feature several programs
that contain single velocity layers for an instrument. AKAI samplers require the loading
of an entire volume, or all necessary single programs, to be able to hear/play all
velocity layers. All of these single programs are automatically assigned to the same
MIDI channel and also react to the same MIDI program change number.
The EXSP24 AKAI Conversion intelligently checks for these settings, and will build a
single EXS Sampler Instrument out of multiple single programs. In general, this type of
behavior is desirable with these types of CDs. When importing samples of this type, this
option should be set to ON.
The same is true for drum CD-ROMs where single programs contain one instrument
from a complete drum kit (kick/snare/hi-hat and so on as separate entities) You’ll
probably want these single AKAI programs to be merged into a single EXS Sampler
Instrument as a full drum kit.
There are, however, a number of AKAI CD-ROMs where a single program of an AKAI
Volume contains the entire instrument, and where other programs in the same Volume
have the same MIDI channel and MIDI program change number preset. On this type of
CD-ROM, use of the merge programs parameter is not desirable, and the option should
be set to OFF.
Create interleaved stereo files whenever possible
This option should always be left enabled, as interleaved files offer better performance
within the EXSP24. When executing an AKAI conversion, some audio files are created as
split stereo and as interleaved stereo files.
The detection of when it is possible to build an interleaved file is based on information
stored with both the AKAI Program and audio files. Both the left and right files must
have the same settings; otherwise they can not be used to create an interleaved file/
multiple interleaved files.
Prelisten Function
The AKAI Import window features a Prelisten button, which is found below the Audio
Files column. This facility allows you to individually audition AKAI audio files before
deciding whether or not to import them.
To prelisten an audio file:
1 Select an individual file (sample) within the Audio Files column:
2 Press Prelisten. This will start playback of the selected audio file and the Prelisten button
will update, with the word “Stop” appearing on the face of the button.
3 The selected audio file will loop continuously until you press the Stop button.
- Logic Express 7 1
- Plug-In Reference 1
- Contents 3
- Introducing Logic’s Plug-ins 7
- About This Manual 8
- Conventions of This Guide… 9
- Using Plug-ins 11
- 12 Chapter 1 12
- Basics 12
- Bypassing Plug-ins 13
- The Plug-in Window 14
- Chapter 1 15
- Plug-in Settings 16
- Plug-in Automation 17
- Instruments and Effects 19
- Instrument Plug-ins 20
- Accessing Multiple Outputs 22
- Software Instrument Pitch 22
- Equalizer 23
- Silver EQ 24
- Individual EQs 25
- Compressor 27
- 28 Chapter 4 Dynamic 28
- Chapter 4 Dynamic 29 29
- Silver Compressor 30
- Noise Gate 30
- Chapter 4 Dynamic 31 31
- Silver Gate 32
- Parameters of the Limiter 33
- Preset Multipressor 34
- Chapter 4 Dynamic 35 35
- Distortion 37
- 38 Chapter 5 Distortion 38
- Overdrive 39
- Bitcrusher 40
- Clip Distortion 41
- Phase Distortion 42
- AutoFilter 43
- 44 Chapter 6 Filter 44
- Chapter 6 Filter 45 45
- Fuzz-Wah 46
- Chapter 6 Filter 47 47
- High Cut/Low Cut 48
- High Pass/Low Pass Filter 48
- Sample Delay 49
- Tape Delay 50
- Chapter 7 Delay 51 51
- Stereo Delay 52
- Modulation 53
- 54 Chapter 8 Modulation 54
- Chapter 8 Modulation 55 55
- 56 Chapter 8 Modulation 56
- Spreader 57
- 59 59
- SilverVerb 60
- GoldVerb 61
- 62 Chapter 9 Reverb 62
- Chapter 9 Reverb 63 63
- PlatinumVerb 64
- Chapter 9 Reverb 65 65
- Pitch Shifter II 67
- Denoiser 68
- Chapter 10 Special 69 69
- 71 71
- 72 Chapter 11 Helper 72
- Parameters 73
- Levelmeter 74
- Synthesizer Basics 75
- What Is Synthesis? 76
- Subtractive Synthesis 76
- Other Oscillator Waveforms 79
- Envelopes 79
- Concept and Function 81
- Global Parameters 82
- FM Parameters 82
- Modulation Env(elope) 83
- FM Depth 83
- Modulator Pitch 83
- Modulator and Carrier 84
- The Output Section 85
- Main Level 86
- Randomize 86
- Parameters of the ES M 87
- 88 Chapter 14 ES M 88
- Parameters of the ES P 89
- 90 Chapter 15 ES P 90
- E synthesizer 93
- Parameters of the ES E 93
- 94 Chapter 16 ES E 94
- Parameters of the ES1 95
- Filter Parameters 96
- ADSR Via Vel 97
- Level Via Vel 98
- Amplifier Envelope Selector 98
- LFO Waveform 98
- Int Via Whl 99
- 100 Chapter 17 ES1 100
- Chapter 17 ES1 101 101
- KlopfGeist 103
- 104 Chapter 18 KlopfGeist 104
- 105 105
- Using Instruments 106
- File Organization 107
- 108 Chapter 19 EXSP24 108
- Chapter 19 EXSP24 109 109
- 110 Chapter 19 EXSP24 110
- Sample File Import 111
- Importing SoundFont2 Files 112
- Importing SampleCell Files 113
- Importing Giga Files 114
- Converting AKAI Files 114
- Chapter 19 EXSP24 11 5 115
- 116 Chapter 19 EXSP24 116
- Chapter 19 EXSP24 11 7 117
- 118 Chapter 19 EXSP24 118
- Vienna Library 119
- Plug-in Window Parameters 119
- 120 Chapter 19 EXSP24 120
- Chapter 19 EXSP24 121 121
- • dB linear 122
- • linear (gain linear) 122
- • equal power 122
- Chapter 19 EXSP24 12 3 123
- 124 Chapter 19 EXSP24 124
- Chapter 19 EXSP24 12 5 125
- 126 Chapter 19 EXSP24 126
- Chapter 19 EXSP24 12 7 127
- 128 Chapter 19 EXSP24 128
- Chapter 19 EXSP24 12 9 129
- 130 Chapter 19 EXSP24 130
- Chapter 19 EXSP24 133 133
- EXSP24 Key Commands 134
- A Brief History of Sampling 135
- MIDI Controller List 136
- GarageBand Instruments 139
- Glossary 141
- 142 Glossary 142
- Glossary 143 143
- 144 Glossary 144
- Glossary 145 145
- 146 Glossary 146
- Glossary 147 147
- 148 Glossary 148
- Glossary 149 149
- 150 Glossary 150
- Glossary 151 151
- 152 Glossary 152
- Glossary 153 153
- 154 Glossary 154
- Glossary 155 155
- 156 Glossary 156
- Glossary 157 157
- 158 Glossary 158
- Glossary 159 159
- 160 Glossary 160
- 162 Index 162
- Index 163 163
- 164 Index 164
- Index 165 165
- 166 Index 166
- Index 167 167
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