Apple Logic Express 9 Instrukcja Użytkownika Strona 36
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- Spis treści
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Oceniono. / 5. Na podstawie oceny klientów
ExpressCard/34
The ExpressCard/34 slot supports both PCIe and USB 2.0 connectivity. ExpressCards
available include audio interfaces, hard disk controller (eSATA) cards, networking, wireless
adapters, and more.
Audio Cabling
The following types of audio cables and connectors are usually used on professional and
consumer audio equipment:
• XLR
• 1/4-inch (6.35 mm) audio
• 1/8-inch (3.5 mm) miniplug
• RCA (Cinch)
• S/PDIF
• AES/EBU
• TOSLINK Optical and ADAT Lightpipe
XLR
XLR cables and connectors are used on professional-quality microphones, monitors, and
other musical equipment. They provide a high-quality, balanced signal at +4 dB level.
XLR connector (balanced)
1/4-inch (6.35 mm) Audio
1/4-inch (6.35 mm) connectors (sometimes called phono or phone plugs) are used on a
wide variety of professional and consumer musical equipment, including musical
instruments and amplifiers, speakers, and external effects devices. They can be either
balanced or unbalanced. Some devices require Tip-Ring-Sleeve (TRS) connectors. These
three-contact connectors are used for balanced mono signals and unbalanced stereo
signals.
1/4-inch Tip-Ring Sleeve (TRS) connector
1/4-inch Tip-Sleeve (TS) connector
36 Chapter 2 Setting Up Your System
- Logic Express 9 1
- Contents 3
- 4 Contents 4
- 5Contents 5
- 6 Contents 6
- 7Contents 7
- 8 Contents 8
- 9Contents 9
- 10 Contents 10
- 11Contents 11
- 12 Contents 12
- 13Contents 13
- 14 Contents 14
- 15Contents 15
- 16 Contents 16
- Welcome to Logic Express 17
- Additional Resources 19
- Introducing Logic Express 21
- Audio region 1 25
- Audio file 25
- Audio region 2 25
- MIDI region 26
- Setting Up Your System 27
- Computer 28
- Audio and MIDI Interfaces 29
- Types of MIDI Devices 30
- Ancillary Audio Devices 31
- Computer Expansions 34
- FireWire 800 (9-pin) 35
- USB (Universal Serial Bus) 35
- Audio Cabling 36
- RCA connector (unbalanced) 37
- XLR connector 37
- TOSLINK connector 37
- MIDI Cabling 38
- Using USB MIDI Keyboards 41
- Using External MIDI Devices 42
- Using External Audio Effects 42
- Setting Up Core Audio Devices 44
- Overview of the Logic Express 45
- Interface 45
- Opening Logic Express 46
- Working in the Arrange Area 48
- Using the Toolbar 49
- Using the Transport Bar 49
- Using the Inspector 50
- Region Parameter box 51
- Arrange channel strips 51
- Working in the Media Area 52
- Name column 53
- Loop button 53
- Play button 53
- Info column 53
- Introducing the Loop Browser 55
- Introducing the Library 57
- Introducing the File Browser 58
- Working in the Notes Area 60
- Introducing Project Notes 61
- Introducing Track Notes 61
- Working in the Lists Area 62
- Event type buttons 63
- Region display Event display 63
- Hierarchy button 63
- Introducing the Marker List 64
- Introducing the Tempo List 65
- Working in the Editing Area 66
- Introducing the Mixer 67
- Introducing the Sample Editor 68
- Introducing the Score Editor 69
- Introducing the Hyper Editor 70
- Local Menu Bars 71
- Tool Menus 71
- Scroll Bars 72
- Zoom Sliders 72
- Bar Ruler 72
- Global Tracks 73
- Checkboxes and Buttons 78
- Pull-Down and Pop-Up Menus 78
- Using the Computer Keyboard 79
- Customizing Your Window Setup 81
- Working in Normal Windows 82
- Working in Floating Windows 83
- Opening and Closing Windows 84
- Moving and Resizing Windows 87
- Selecting the Working Area 92
- Click the gray area below 93
- Zooming the Working Area 94
- Zooming with the Playhead 95
- Zooming with the Scroll Bars 95
- Zooming with the Trackpad 96
- Working in Catch Mode 100
- Working in Link Mode 100
- Working in Content Catch Mode 101
- Displaying Global Tracks 105
- Reverting to Saved Screensets 111
- Navigating Your Project 113
- Setting the Playhead Position 114
- Division value 115
- Using the Transport Buttons 117
- Using Transport Key Commands 118
- Using Apple Remote 120
- Using Cycle Mode 121
- Right locator 123
- Left locatorPosition display 123
- Auto Set Locators 124
- Defining a Cycle with Markers 126
- Using Skip Cycle 126
- Customizing the Transport Bar 129
- Using SMPTE View Offset 134
- Working with Markers 137
- Marker Text area 138
- Marker List 138
- Marker track 138
- Creating Markers 140
- Naming Markers 144
- Editing Markers 148
- Working with Projects 153
- Creating Projects 154
- Opening Projects 157
- Arrow key to deselect them 166
- Setting Project Properties 169
- Setting the Project Tempo 171
- Bar denominatorNumerator 173
- Project End display 175
- Adjusting Project Settings 176
- Handling Project Assets 176
- Managing Projects 177
- Cleaning Up Projects 178
- Saving Projects 180
- Closing and Quitting 183
- Basic Operations 185
- Entering Numerical Values 186
- Entering Text 187
- Working with Key Commands 188
- 189Chapter 8 Basic Operations 189
- Choosing Key Command Sets 190
- Saving Key Command Sets 190
- Browsing Key Commands 191
- Finding Key Commands 192
- 193Chapter 8 Basic Operations 193
- 195Chapter 8 Basic Operations 195
- Working with Tools 196
- 197Chapter 8 Basic Operations 197
- Left-click Tool menu 198
- Command-click Tool menu 198
- Right-click Tool menu 198
- 199Chapter 8 Basic Operations 199
- Learning About Common Tools 201
- Working with Help Tags 203
- Using the Shortcut Menu 204
- Using Selection Techniques 205
- Selecting Multiple Elements 206
- Making Horizontal Selections 206
- 207Chapter 8 Basic Operations 207
- Working with the Clipboard 210
- 211Chapter 8 Basic Operations 211
- To erase the Undo History 213
- Working with Tracks 215
- Track Parameter box 217
- Configuring the Track Header 218
- Resize pointer 220
- Using the New Tracks Dialog 223
- Creating Tracks Only 226
- Freezing a Track 242
- Working with Frozen Tracks 243
- Working with Freeze Files 244
- Refreshing Freeze Files 244
- Bouncing Tracks in Place 252
- Bounce-Replacing All Tracks 254
- Working with Instruments and 257
- Volume fader 261
- Working with Plug-ins 262
- Moving Plug-ins 265
- Using the Channel EQ 266
- Settings menu 272
- Adjusting Plug-in Parameters 274
- Linking Plug-ins 276
- Bypassing Plug-ins 277
- Using the Settings Functions 278
- Side Chaining Plug-ins 282
- Using Insert Effects 286
- Using Send Effects 286
- Making Sends Low Latency Safe 290
- Working with Instruments 291
- Playing Software Instruments 302
- Selected instrument, not 303
- Instrument in live mode 303
- Tuning Software Instruments 304
- Loading Presets 309
- Manually Enabling Plug-ins 310
- Disabling Plug-ins 312
- Adding Prerecorded Media 313
- Navigating in the Browser 316
- Green Apple Loop placed on 324
- Browsing for Apple Loops 325
- Music view Sound Effects view 326
- Category columns 327
- Auditioning Apple Loops 329
- Sorting Apple Loops 330
- Searching for Apple Loops 331
- Overview Calculation 337
- ReCycle slices 339
- ReCycle folder 339
- Adding MIDI and Project Files 340
- Getting to Know Regions 341
- Audio Regions and Audio Files 342
- MIDI Regions and Events 343
- Folder Regions 343
- Alias and Cloned Regions 344
- Creating and Removing Regions 350
- Resizing a Region 352
- Two-headed arrow cursor 353
- Anchor Anchor 354
- Protecting Audio Regions 355
- Audio Bin tab 356
- Creating Your Arrangement 357
- Arrange area with grid 358
- Arrange area without grid 358
- Overriding the Snap Grid 362
- Using Drag Modes 363
- Scrubbing Your Arrangement 365
- Using Shortcut Menus 366
- Muting Regions 366
- Soloing Regions 367
- Naming Regions 368
- Text tool 369
- Assigning Colors to Regions 371
- Selecting Regions 372
- Selecting Parts of a Region 373
- Eraser tool 376
- Restoring Removed Regions 377
- Limiting Region Movements 378
- Time stamped audio file 380
- Resizing Regions 383
- Creating Region Aliases 394
- Creating MIDI Region Aliases 395
- Creating Region Clones 397
- Creating Region Loops 400
- Dividing Regions 404
- Demixing MIDI Regions 407
- Glue tool 408
- Merging MIDI Regions 409
- Merging Audio Regions 409
- Working with Folders 411
- Packing and Unpacking Folders 412
- Entering and Exiting Folders 413
- Creating an Alias Folder 415
- Creating Fades 416
- Editing and Deleting Fades 417
- Setting Region Parameters 420
- Audio Region Parameters 422
- MIDI Region Parameters 422
- Recording in Logic Express 427
- Setting the Project Bit Depth 429
- Defining the Recording Folder 435
- Naming Audio Recordings 436
- Setting the Recording Format 438
- Record-Enabling Tracks 439
- Record-Enabling MIDI Tracks 440
- Audio Take Recording 441
- Composited take 443
- First recorded take 443
- Last recorded take 443
- Audio Multitrack Recording 447
- Audio Punch Recording 447
- Audio Replace Recording 450
- Deleting Audio Recordings 451
- MIDI Take Recording 452
- Recording Multiple MIDI Takes 453
- MIDI Multitrack Recording 457
- MIDI Merge Recording 461
- MIDI Replace Recording 462
- MIDI Step Input Recording 469
- Using the Step Input Keyboard 470
- Editing Audio Take Recordings 477
- Getting to Know Take Folders 478
- Quick Swipe Comping on 480
- Quick Swipe Comping off 480
- Take Folder Editing Mode 481
- Creating Comps 482
- Editing Comps 483
- Resizing Take Regions 488
- To save the current comp 495
- Renaming Takes or Comps 496
- To rename a take 497
- Deleting Takes or Comps 499
- • Press the Delete key 501
- To delete a comp 501
- To flatten a take folder 512
- Unpacking Take Folders 514
- Tracks” from the pop-up menu 517
- Flex Time Editing 521
- Turning on Flex View 522
- Choosing Flex Modes 522
- Flex checkbox 524
- Flex modeFlex mode and 525
- Working with Flex Markers 528
- Deleting Flex Markers 533
- Using the Flex Tool 537
- Flex marker 538
- (on next transient) 538
- (on previous transient) 538
- Flex marker (on transient) 538
- Opening the Sample Editor 544
- Info display 550
- Detected transients 556
- Percentage units Sample units 568
- Normal waveform display 570
- Waveform displayed as 570
- Machines Functions 571
- Mode and Algorithm 573
- Tempo parameters 573
- Pitch parameters 573
- Spike Reduction 582
- Noise Reduction 582
- Working with Tempo and Audio 591
- Follow Tempo symbol 592
- Time Stretching Regions 595
- Removing Silent Passages from 601
- Audio Regions 601
- Automatic Anchor Creation 604
- Managing Audio Files 607
- Sorting Audio Files 608
- Guitars group 609
- Vocals group 609
- Do one of the following: 611
- Renaming Audio Files 613
- Moving Audio Files 614
- Deleting Audio Files 617
- Optimizing Audio Files 617
- Quantizing Audio and MIDI 623
- Quantizing MIDI Events 632
- Working with Groove Templates 634
- Importing Groove Templates 636
- Introduction to MIDI Editing 641
- MIDI Activity display 647
- Roll Editor 649
- MIDI note event 650
- Understanding Note Velocities 652
- Opening the Hyper Editor 673
- Event Definition 675
- Parameter Box 675
- Event definitions 675
- Hyper Set menu 675
- Creating Events 678
- Line tool 679
- Selecting Events 681
- Deleting Events 681
- Restoring Deleted Events 682
- Changing Event Values 683
- Moving and Copying Events 683
- Converting Event Definitions 689
- Altering the Event Status 690
- First Data Byte checkbox 691
- Naming an Event Definition 692
- Delaying an Event Definition 692
- Working with Hyper Sets 693
- Creating a Hyper Set 695
- Creating a GM Drum Hyper Set 695
- Using Hi-Hat Mode 695
- Naming a Hyper Set 696
- Loading a Hyper Set 697
- Filtering Event Types 702
- Playhead position 704
- Refining Event Selection 705
- Copying and Moving Events 707
- Editing Events 708
- Altering Event Values 710
- Learning About Event Types 712
- Note Events 713
- Control Change Events 714
- Pitch Bend Events 715
- Program Change Events 715
- Aftertouch Events 716
- Poly Pressure Events 717
- SysEx Events 717
- Meta Events 718
- The Event Float Window 719
- Editing MIDI Events in the 721
- Transform Window 721
- Random Pitch 724
- Random Velocity 724
- Crescendo 725
- Scale 14 Bit PitchBd 726
- Double Speed 726
- Half Speed 727
- Humanize 728
- Reverse Position 728
- Reverse Pitch 729
- Transposition 729
- Exponential Velocity 730
- Velocity Limiter 731
- Fixed Note Length 731
- Maximum Note Length 732
- Minimum Note Length 732
- Quantize Note Length 733
- Defining Global Parameters 734
- Defining Selection Conditions 735
- Defining Operations 736
- Using the Map 739
- Exchanging Parameter Values 740
- Usage Examples 741
- Opening the Mixer 748
- 749Chapter 27 Mixing 749
- Getting to Know the Mixer 750
- 751Chapter 27 Mixing 751
- 752 Chapter 27 Mixing 752
- 753Chapter 27 Mixing 753
- Working with Mixer Groups 754
- 755Chapter 27 Mixing 755
- 756 Chapter 27 Mixing 756
- 757Chapter 27 Mixing 757
- Muting Channel Strips 758
- Soloing Channel Strips 759
- Setting Channel Strip Levels 760
- 761Chapter 27 Mixing 761
- 762 Chapter 27 Mixing 762
- 763Chapter 27 Mixing 763
- 764 Chapter 27 Mixing 764
- 765Chapter 27 Mixing 765
- 766 Chapter 27 Mixing 766
- 767Chapter 27 Mixing 767
- 768 Chapter 27 Mixing 768
- 769Chapter 27 Mixing 769
- 770 Chapter 27 Mixing 770
- 771Chapter 27 Mixing 771
- 772 Chapter 27 Mixing 772
- 773Chapter 27 Mixing 773
- 774 Chapter 27 Mixing 774
- 775Chapter 27 Mixing 775
- 776 Chapter 27 Mixing 776
- 777Chapter 27 Mixing 777
- 778 Chapter 27 Mixing 778
- 779Chapter 27 Mixing 779
- 780 Chapter 27 Mixing 780
- Customizing the Mixer 781
- 782 Chapter 27 Mixing 782
- 783Chapter 27 Mixing 783
- 784 Chapter 27 Mixing 784
- 785Chapter 27 Mixing 785
- Using the I/O Labels Window 786
- 787Chapter 27 Mixing 787
- 788 Chapter 27 Mixing 788
- 789Chapter 27 Mixing 789
- 790 Chapter 27 Mixing 790
- 791Chapter 27 Mixing 791
- Renaming Tracks in the Mixer 792
- 793Chapter 27 Mixing 793
- Working with Automation 795
- Displaying Track Automation 796
- Automation Parameter 797
- Setting an Automation Mode 800
- Choosing Automation Modes 801
- Writing Track Automation Data 803
- Automation Select tool 804
- Creating Automation Nodes 805
- Automation Curve tool 809
- Offsetting Automation 810
- Using Automation Quick Access 813
- Hyper Draw button 815
- Hyper Draw menu 815
- Using the Autodefine Mode 816
- Editing MIDI Automation Data 816
- Using the Note Velocity Mode 816
- Using Hyper Draw Key Commands 817
- Conversion of Automation Data 818
- Bouncing Your Project 819
- Defining the Bounce Range 821
- Bouncing and Dithering 832
- Creating Apple Loops 835
- Working with Notation 847
- Opening the Score Editor 848
- Event parameter box 850
- Display parameter box 850
- Part box 850
- Stage 3: Editing Note Events 852
- Stage 6: Printing a Score 854
- Working with the Part Box 860
- Selecting Part Box Objects 861
- Note Objects in the Part Box 864
- Clef Objects in the Part Box 865
- Invisible note head 867
- Jazz Symbols in the Part Box 873
- N-tuplet symbol 885
- Church restModern rest 889
- Hidden Bar Lines 894
- Working with Standard Text 895
- Editing Text 897
- Using Musical Symbol Fonts 898
- Learning About Text Styles 898
- Working with Text Styles 900
- Working with Global Text 900
- Working with Automatic Text 902
- Working with Lyrics 903
- Working with Chords 904
- Working with Chord Grids 907
- To delete a fingering dot 920
- The string is muted 924
- To unmute a string 924
- Creating Time Signatures 931
- Creating Key Signatures 932
- Selecting Signatures 933
- Copying Signatures 934
- Editing Signatures 934
- Deleting Signatures 935
- Transcribing MIDI Recordings 937
- Display Parameters 939
- 1/128-note triplets192 940
- 1/256-note triplets384 940
- Interpretation 941
- Syncopation 942
- No Overlap 942
- Max Dots 943
- Hidden MIDI Regions 944
- Changing Note Heads 945
- Changing Note Sizes 945
- Changing the Beaming of Notes 948
- Changing the Tie Direction 948
- Working with Staff Styles 950
- -Alto clefViola 953
- -Bass clefVioloncello 953
- MappedPercussion Clef# Drums 953
- Creating Staff Styles 954
- Deleting Staff Styles 958
- Staff Style Examples 964
- Cross Staff Beaming 966
- Choosing a Score Set 971
- Editing Score Sets 975
- Scaling Score Sets 975
- Setting Line Breaks 978
- Setting Page Breaks 979
- Editing Local Margins 980
- Printing the Score 981
- Exporting the Score 982
- Choosing a Color Mode 983
- Displaying Folders 984
- Displaying Instrument Names 984
- Displaying Duration Bars 984
- Displaying Guide Lines 985
- Project and File Interchange 987
- Setting Sharing Preferences 988
- Backing Up Audio Files 992
- Importing Standard MIDI Files 995
- Opening Standard MIDI Files 995
- Saving Standard MIDI Files 996
- Working with OMF Files 998
- Working with OpenTL Files 999
- Working with AAF Files 1001
- Advanced Tempo Operations 1011
- Using the Tempo Track 1012
- Using the Tempo List 1018
- Using the Tempo Fader 1026
- Beat Mapping Regions 1027
- Beat Mapping MIDI Regions 1028
- Beat Mapping Audio Regions 1030
- Beat Mapping to Scene Markers 1033
- Beat Mapping to Markers 1033
- Transposed 1037
- Working in the Environment 1043
- Working with Layers 1045
- Switching Between Layers 1047
- Working with Objects 1048
- Moving Objects 1049
- Copying Objects 1050
- Adjusting the Size of Objects 1051
- Object with direct output 1055
- Object without direct 1055
- Cabling Environment Objects 1056
- Exchanging Environments 1060
- Updating an Older Environment 1061
- Swapping Environments 1061
- Environment Objects Reference 1067
- Standard Instrument Objects 1070
- Multi-Instrument Objects 1072
- The Multi-Instrument Window 1073
- Working with Sub-Channels 1075
- Mapped Instrument Objects 1076
- The Mapped Instrument Window 1077
- Custom Bank Selects 1080
- Touch Track Objects 1081
- The Touch Tracks Window 1083
- Fader Objects 1085
- Using Faders 1086
- Working with Object Groups 1087
- Fader Styles 1088
- Fader Functions: MIDI Events 1090
- Fader Functions: Filter 1092
- Vector Fader 1093
- Special Faders Overview 1094
- Cable Switchers 1095
- Meta Event Faders 1096
- Working with SysEx Faders 1097
- Working with SysEx Messages 1098
- Special Functions 1101
- Alias Objects 1102
- Alias Parameters 1103
- Ornament Objects 1104
- GM Mixer Objects 1104
- MMC Record Buttons Objects 1107
- Keyboard Objects 1108
- Monitor Objects 1108
- Macro Objects 1109
- Arpeggiator Objects 1111
- The Arpeggiator Parameter Box 1112
- Transformer Objects 1113
- Delay Line Objects 1119
- Voice Limiter Objects 1120
- Channel Splitter Objects 1121
- Chord Memorizer Objects 1121
- Physical Input Objects 1124
- Sequencer Input Objects 1125
- MIDI Click Objects 1126
- Internal Objects 1128
- Channel Strip Objects 1130
- Channel Strip Parameters 1131
- Input Channel Strip 1132
- Bus Channel Strip 1133
- Prelisten Channel Strip 1133
- Working with Video 1135
- Using the Movie Window 1137
- Using the Video Track 1138
- Synchronizing Logic Express 1143
- Using the Sync Button 1145
- MTC Interpretation 1145
- Fixing Objects to Frames 1147
- Positioning Bars to Frames 1147
- MIDI Machine Control 1148
- Working in Low Latency Mode 1154
- Dealing with Latency Issues 1157
- File Formats 1159
- Exporting Split Channel Files 1161
- Accessing Project Settings 1163
- Saving Project Settings 1165
- MIDI Synchronization Settings 1171
- Metronome Settings 1175
- Recording Settings 1177
- Tuning Settings 1180
- About Tuning 1182
- Audio Settings 1186
- MIDI Settings 1188
- General MIDI Settings 1189
- Input Filter Settings 1190
- Chase Settings 1191
- Score Settings 1192
- Global Score Settings 1193
- Numbers & Names Settings 1196
- Tablature Settings 1199
- Chords & Grids Settings 1204
- Layout Settings 1209
- MIDI Meaning Settings 1211
- Color Settings 1213
- Video Project Settings 1215
- Assets Project Settings 1217
- Preferences in Logic Express 1219
- Saving Preferences 1220
- General Editing Preferences 1224
- General Cycle Preferences 1226
- General Catch Preferences 1227
- Core Audio Device Preferences 1230
- Audio General Preferences 1233
- Bounce Extensions Pane 1237
- Audio MP3 Preferences 1240
- Audio Reset Preferences 1241
- MIDI General Preferences 1244
- MIDI Sync Preferences 1245
- General Display Preferences 1248
- Arrange Display Preferences 1249
- Mixer Display Preferences 1250
- Glossary 1261
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